Theories of myth – Templo Do Conhecimento http://templodoconhecimento.com/ Sun, 26 Sep 2021 06:53:39 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://templodoconhecimento.com/wp-content/uploads/2021/04/cropped-icon-32x32.png Theories of myth – Templo Do Conhecimento http://templodoconhecimento.com/ 32 32 Crossing Borders With Translations | Herald of the Deccan https://templodoconhecimento.com/crossing-borders-with-translations-herald-of-the-deccan/ https://templodoconhecimento.com/crossing-borders-with-translations-herald-of-the-deccan/#respond Sat, 25 Sep 2021 20:10:02 +0000 https://templodoconhecimento.com/crossing-borders-with-translations-herald-of-the-deccan/

Although we live in an “ever-translated world” translators are sometimes treated like second-rate citizens in the republic of literary creativity.

They are like bridge builders, connecting us to areas that would remain inaccessible without their hard work erased.

And the translations themselves remain invisible and anonymous, as if lacking in originality.

We are hardly aware that our daily life is surrounded by translations, from sales brochures to Leo Tolstoy, from a health manual to the Indian Constitution – we trade with polyglot material through translations. Especially in the contemporary era of globalized knowledge, we owe our existence to translations which, like the god Hermes in Greek mythology, constantly cross the boundaries of languages ​​and cultures that are linked to languages.

The Sahitya Akademi deserves full praise for instituting awards for translations from other languages ​​into any of the 23 official Indian languages.

A prize is also awarded to the best translation of a bhasha work in English. Nataraju Budalu’s translation of the work of the great Buddhist scholar Sarahapada and Srinath Perur’s translation of Vivek Shanbhag Ghachar Ghochar in English are among the awards for 2020.

Equally reassuring for Kannada is that among the 24 awards, four are for the translation of original Kannada works, testifying to the importance of Kannada writing in Indian literature.

Interlinguistic negotiations

Premodern India was a land of breathtaking polyglot cultures. Besides Sanskrit and Pakrit, a competent writer would know at least two other languages ​​and consider himself free to translate, transcreate and rewrite from a vast repertoire of poetry, tales, myths and genres from many languages ​​and cultures.

Like all literary traditions, Kannada literature is the product of such interlinguistic negotiations through translations.

Kavirajamargam (850 CE), the earliest extant work on poetics (in any language in the world, according to Sheldon Pollock) is primarily a translation of the Sanskrit works of Bhamah and Dandin.

But that does not prevent it from being a very original work that authoritatively maps the Kannada culture, its territory and the cultural profile of its inhabitants.

It establishes a framework for the negotiation of Kannada literature with Sanskrit on its own terms.

Pampa, the archetype of the poet, consciously repeated the Mahabharata of Vyasa, but also allegorized the country’s regional history in his epic narrative. Vikramarjuna Vijaya (932 CE).

Almost all of the great Kannada works of the ancient and medieval period are translations and transcreations. If we keep aside our modern notions of copyright, authorship and originality, we begin to see how a vibrant literary culture has relied on various linguistic resources to cope with the complex world of dominant religions, hierarchies caste and gender and a politics of empires and vernacular languages. policies.

Certainly, “Kannadesse” has always been a cosmopolitan phenomenon built with the endless process of translation. In other words, Kannada literature has always been Indian in its cultural and intellectual plurality.

Literary Renaissance

A quantum leap to the Indian renaissance in the 19th century brings us closer to Navodaya, the Kannada literary renaissance that was also energized by translations.

From the last decades of the 19th century to the first decades of the 20th century, translations of fiction into Bengali, Marathi, Telugu and English introduced not only a powerful literary form, but also themes of modernity: nationalism, renegotiation with tradition, questions of gender and social reform.

Soon we have writers like B Venkatacharya learning Bengali to translate nearly seventy Bengali works into Kannada, including most of Bankimchandra and Sharathchandra.

Galaganatha freely translates the Marathi novelist HN Apte to popularize historical romance.

In 1920, BM Shrikanthaiah translated collectible English poetry into English Geethegalu (1921), heralding modern Kannada poetry. He said Kannada now needs to reinvigorate himself, feeding off English and not Sanskrit.

It is remarkable that the renaissance of Kannada which produced Bendre, Kuvempu, Karanth, Masti and many others was initiated by a wonderful work of translations.

Hybrid traditions, new forms

Translation is always a transgressive act, mixing literary and cultural traditions and destabilizing accepted norms. How else could a Christian hymn by JH Newman be reborn Karunaalu ba belake in Kannada, to do as a prayer in every school and college in the state?

The marine phase of literary modernism began in the late 1950s and early 1960s with another negotiation – this time with high modernity European and Anglo-American writings.

Interestingly, translations of modernist works took place after writers like BC Ramachandra Sharma and Gopalakrishna Adiga radically transformed Kannada poetry by responding to literary modernity.

Girish Karnad acknowledged his debt to Jean Anouilh and Albert Camus while his predecessor Sriranga had made an original response to Ibsen and Bernard Shaw.

The translations of Mohan Rakesh, Badal Sarkar, Utpal Dutt have played a decisive role in the reorientation of drama and Kannada theater.

Unfortunately, for a long time, bad theories of translation led to the proliferation of colonial distortions of “influence”, “imitation”, “fidelity” and “authenticity”.

Fortunately, we now agree that translation is not done across languages ​​but across cultures; that the original uncontaminated tradition is a myth created by uncertain minds; that the world we live in is “incorrigibly plural”.

It is not only in the field of literature that translations bring about paradigm shifts. Modern Kannada prose had to be reshaped in colonial times to become a vehicle of contemporary knowledge.

The past decade has seen a flood of Kannada translations of the writings of most of the leading social scientists and thinkers.

DD Kosambi, Ramachandra Guha, Uma Chakravarti, Chimamanda Adichie, Umberto Eco, Noam Chomsky, are now available to the Kannada reader. Such translations have contributed to the democratization of knowledge because language politics and social injustice have created a large monolingual community that needs to acquire global knowledge through Kannada.

What we need now is to digitize the Kannada world to which translation can make an important contribution.

(The writer is a literary and cultural critic based in Shivamogga)


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Rap queen, Dr. Nicki Minaj – La Santa Clara https://templodoconhecimento.com/rap-queen-dr-nicki-minaj-la-santa-clara/ https://templodoconhecimento.com/rap-queen-dr-nicki-minaj-la-santa-clara/#respond Sat, 25 Sep 2021 17:49:14 +0000 https://templodoconhecimento.com/rap-queen-dr-nicki-minaj-la-santa-clara/

Nicki Minaj’s cousin’s friend wasn’t feeling a few mornings ago when he woke up with swollen testicles. Last week, the Queen herself took to Twitter to deliver her official diagnosis: The unusual disease, she claimed, is the result of the COVID-19 vaccine.

To sum up another bizarre Twitter debate, Nicki Minaj announced that she would not be attending the 2021 Met Gala as the event required guests to be vaccinated. Citing the hapless man whose testicles received international attention, Minaj denigrated the vaccine, saying she needed to do more research before receiving it.

Minaj honestly seems to believe that what happened to her cousin’s friend was a side effect of the COVID-19 vaccine. The tweet prompted the White House to offer him a call to discuss the safety and effectiveness of vaccines. Later, Dr Anthony Fauci and Trinidad and Tobago Minister of Health Dr Terrence Deyalsingh concluded that Minaj’s tweet had “no evidence” to be true.

Despite the best attempts by these medical professionals to dispel myths, his tweet circulated the internet, influencing others on vaccine policy through misinformation. Considering her number of followers, Minaj’s influence on social media is arguably even more impactful than the influence of a medical professional.

Although every celebrity is also a citizen entitled to an opinion, they should not neglect the influence they have on the public. Nicki Minaj is a talented musical artist, not a doctor. Therefore, she has no legitimate authority to dissuade others from getting vaccinated.

Minaj obviously does not recognize his influence, which is why this misinformation quickly spread across the internet. It is essential that the reliability of a source is not determined by the number of subscribers or superficial social influence. Equating fame with reliability spurs the spread of misinformation and fuels problematic conspiracy theories. Whatever Minaj’s intentions, her tweet had consequences that benefited her follow-up.

Minaj’s comment undermines progress the world has made to increase immunization rates. This gives some people an excuse or false reasoning to refrain from getting the vaccine, even if his tweet, according to medical professionals, is bogus.

Celebrities acting as trusted sources of medical advice throughout the pandemic have produced more drama and misinformation than actual benefit. Minaj has 23 million subscribers, and every subscriber who has seen this tweet (somewhere in the millions) has received misinformation about the vaccine, which has the potential to affect their decision-making.

Disinformation exploits those who are not themselves informed. Influential celebrities need to have evidence to back up their claims. Otherwise, it is better not to say it.

From a different perspective, the fact that the White House is concerned enough about Nicki Minaj’s comments to reach out reveals that subscribers are impressionable. Despite the number of different theories about COVID-19 vaccines that have spread throughout this pandemic, the public also has a responsibility to seek out and make the effort to think beyond the advice of their favorite celebrities.

We’ve seen this trend before when celebrities endorsed horse dewormer as a form of protection against the virus. There was no medical research or data to support the claims, but horse dewormers were still out of stock in stores across the country. Obviously, celebrity tweets are not unimportant; they can mobilize others to follow their own misguided and potentially harmful actions.

In summary, it’s fair to say that the Barbz flags are flying at half mast, as it was certainly embarrassing for Minaj to tweet. More than ever, it is vital that celebrities do not undermine doctors and that internet users do not believe everything they see too quickly.


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The beautiful chronicles of ‘Cured’ fight for dignity https://templodoconhecimento.com/the-beautiful-chronicles-of-cured-fight-for-dignity/ https://templodoconhecimento.com/the-beautiful-chronicles-of-cured-fight-for-dignity/#respond Fri, 24 Sep 2021 10:19:39 +0000 https://templodoconhecimento.com/the-beautiful-chronicles-of-cured-fight-for-dignity/

Beautiful animation and rich historical detail make a short film about gay commercial artist JC Leyendecker as compelling as many of the more than 900 selections shown this year at the DC Shorts International Film Festival, which runs September 9-19 in person. at the Edlavitch Jewish Community Center (1529 16th St., NW) and online.

Director Ryan White’s short film “Coded” is one of many LGBTQ, “local” and international submissions to the District Short Film Festival, which is entering its 18th year as a hybrid event due to the pandemic in Classes. “Coded” is a biopic about JC Leyendecker, a gay commercial artist from the 1920s-30s who coded gay themes into his advertising drawings.

Safety protocols for the festival, which was completely virtual last year, include an online viewing option for those uncomfortable or unable to attend events, and requiring in-person attendees to wear a mask. and to present their vaccination card to enter the place.

“When they buy the ticket online, before they can proceed with the purchase, they have to click on the fact that they recognize the rules,” said Raedorah Stewart, DC Shorts Site Manager and Volunteers.

She added that on the site “your vaccination card must match your ticket and you must wear a mask”. Additional masks will also be available at the door.

In July, concerns about the highly transmissible Delta variant of the coronavirus led the CDC and Mayor Muriel Bowser to recommend even fully vaccinated people wear masks indoors.

Although 57% of district residents are fully immunized, according to the DC Coronavirus website, as a precaution, DC’s shorts will screen 95 shorts online and host five in-person screenings at the Jewish Community Center and two. at the Goethe-Institut (1377 R St., NW).

Stewart told The Blade the festival also had fewer volunteers this year in order to maintain good social distancing at the venues. But despite the extra precautions, enthusiasm remained high.

“This year’s volunteers are thrilled and relieved to come back to something familiar to them,” said Stewart, who identifies as a queer black woman. “Having this global experience shared throughout history has become a key to making our festival unique and standing out. And we do it with such strict protocols… it advances the whole atmosphere of the festival.

She said the goal for her and her volunteers was to make this experience as enjoyable as possible for the guests.

When asked which of the hundreds of shorts was his favorite, Stewart laughed and “pleaded the fifth.”

“It’s like asking a mother who her favorite child is,” she said, saying each one is special and unique.

Joe Bilancio, director of programming for DC Shorts, told The Blade that the festival normally receives between 1,500 and 2,000 entries for works that must have been completed the previous year to be eligible.

As the number of submissions was down this year, he said his team were surprised at the number of submissions despite unprecedented constraints.

“We were shocked that there was so much content,” Bilancio said. “For example, this meant that if someone used to work with an editor in a collaborative suite, they now had to do it through Zoom.”

And he said the quality of all the movies was impressive given the pandemic constraints.

“I liked Ryan White’s ‘Coded’,” said Bilancio, a gay man who also struggled to find a “favorite” among the large selection. “He made a movie about hidden messages in coded products for the LGBTQ community.”

Bilancio identified with the film’s idea that different people have different perceptions of the same experience, one of the main reasons he enjoys programming the DC Shorts Film Festival.

Christian Oh, the chairman of the festival’s board of directors, identifies as heterosexual, but the film “God’s Daughter Dances” particularly resonated with him as an American of Korean descent.

“Even though it focuses on the LGBTQ community from a light perspective, there is the military,” Oh said of director Sungbin Byun’s comedy-drama about a transgender dancer who is called by the South Korean army.

“It makes you wonder what other people face in their homelands that we don’t know. “

Oh is also working with the DC Asian American Film Festival and Stewart is helping with the LGBTQ Reel Affirmation series.

“These stories are important,” said Oh, filmmaker and instructor. “And must be told from the perspective of the people who are facing these issues.”

“And they’re fun,” said Stewart, who enjoys being part of an arts community.

In-person screenings include “Animation Domination,” “Cinema 10% LGBTQ,” and “Homegrown Showcase,” which is a special selection of films made by local DC filmmakers.

The local filmmaker’s showcase will be screened at the Goethe-Institute on the festival’s opening night at 6 p.m. and will feature “Miss Alma Thomas: A Life in Color” about the first black woman to have her paintings exhibited at the White House in 2009, “Ourselves, in Stories” on the independent comic book community’s inclusion efforts, and “Out to Vote” on activist Bobby Perkins and the fight to restore the voting rights of those formerly incarcerated in Baltimore .

The festival also includes four free filmmaker workshops, which Oh says are essential for networking and increasing representation.

“This short format offers more fairness and access to minority storytellers,” he said. “Two filmmakers meet and produce a film for the next festival.

And that connection, he said, is important, especially now with the limitations associated with the pandemic, which can also cause economic damage, further limiting the reach of new and unique voices.

“Many are dying because they don’t have the ticket economy,” Oh said. “Support creative people, especially locally. They are in a lot of pain. If you can support them virtually or in person, do so. We open our doors to all communities – Asian, LGBTQ, black, Latino, everyone. “

General admission for in-person displays is $ 15, while individual online access is $ 12. An all-access festival pass, which includes all live and online showcases, costs $ 140. For more information visit dcshorts.com.


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Nicki Minaj and the death of responsibility https://templodoconhecimento.com/nicki-minaj-and-the-death-of-responsibility/ https://templodoconhecimento.com/nicki-minaj-and-the-death-of-responsibility/#respond Thu, 23 Sep 2021 09:07:22 +0000 https://templodoconhecimento.com/nicki-minaj-and-the-death-of-responsibility/

Nicki Minaj’s show of ignorance on Twitter last week would have been the funniest thing that has happened in months, had it not been for the statistical near-certainty that it will actually kill someone. .

For the handful of you who don’t spend your entire day obsessively following social media, Minaj said she has serious doubts about COVID vaccines because,

This is, of course, nonsense. Besides having the classic structure of the urban ‘friend of a friend’ myth, there isn’t a single case of impotence – let alone grapefruit-sized cajones – linked to COVID vaccines. 19. Not even the Russian lad.

The rest of the tweet was even funnier. Minaj has found herself mocked on Twitter and in the media. Joy Reid urged Minaj to use her 22 million follower platform to encourage fans to get the shot rather than spreading misinformation. Minaj took Reid’s criticisms to heart and responded with a thoughtful introspection on the responsibilities that come with having a prominent voice in American society.

LOL jk.

Reid’s comments sent Minaj into an epic Twitter rampage that culminated with this,

Things went downhill from there.

Soon a handful of Minaj fans were protesting at CDC headquarters in Atlanta chanting “Down with the CDC!” On Wednesday, Trinidad’s government formally denied that such a thing ever happened to Nicki Minaj’s cousin’s friend – or to anyone else in Trinidad. Same Boris Johnson got into the beef on the testicles of the imaginary man.

Yes. This is one thing that has happened.

There is no doubt that Nicki Minaj is one of the greatest living musical talents in the world. But winning six American Music Awards and being nominated for ten Grammys doesn’t qualify you as a public health expert. Neither does having a billion followers on Twitter. It rarely stops anyone with a billion Twitter followers from pontificating on public health issues or anything else they like.

Conventional wisdom holds that general relativity is the most tested theory in the world. It’s not. This honor goes to Dunning-Kruger effect, part of which argues that people who know next to nothing about a subject tend to believe they are experts. General relativity has been validated thousands of times since Einstein published his theory in 1915. The Dunning-Kruger effect is validated a million times a day on the Internet.

So there is no reason to particularly laugh at Nicki Minaj. His tweet is just another example of what Tom Nichols calls “the death of expertise”. But its immediate and widespread impact makes it a remarkable example of another problem.

Let’s call it “the death of responsibility”.


Every generation has its share of narcissistic celebrities. But in the past, this feeling of right was embellished with what one might call the nobility oblige. It wasn’t that long ago that baseball players were meant to be role models. I’m sure past celebrities had as many weird and sometimes dangerous ideas as some modern people, but whether it was out of a sense of responsibility to their fans or out of fear of them, they usually kept them to themselves. You can’t imagine, say, Laurent Tureaud, casually passing anti-vaccination rumors.

This is no longer true. Celebrities today feel justified, even obligatory, to transmit each of their wandering thoughts regardless of the impact on the rest of the world. Because they largely live in adoring fan bubbles, they’re often convinced that they can’t do anything wrong. This is the Dunning-Kruger effect on steroids.

And it goes without saying that these celebrities rarely take criticism.

This is a real problem and it is obviously not limited to the question of vaccine hesitation. Social media is a breeding ground for conspiracy theories and misinformation that is too often amplified by people who should know better. Social media provides modern celebrities with unprecedented direct connections to people who already love and trust them. Of the top 150 Twitter accounts, 109 are owned by entertainment and sports personalities. It’s one thing when your Uncle Jim starts babbling about vaccine conspiracy theories and the “CDC agenda.” It’s a whole different thing if your Uncle Jim is Jim Carrey and has 14 million Twitter followers.

Some people seem to believe that Joy Reid was wrong to publicly castigate Minaj and that it should have been seen as a good time to learn. But Nikki Minaj shouldn’t need to be “taught”. She is a global figure with more Twitter followers than Fox News – or Pope Francis – and not a stray 14-year-old girl. The suggestion that someone in his position should be granted a pass for spreading misinformation about something as basic and important as COVID vaccines is both patronizing and dangerous.

The truth is, Minaj’s worst offense wasn’t tweeting about exploding testicles. It was a tweet that was much more damaging and far fewer clicks. Worse, it’s the kind of occasional and deadly misinformation that spreads across social media thousands of times a day. In response to one of his fans pointing out that the vaccine “prevents you from having severe symptoms” and that “unvaccinated people are 11 times more likely to die from covid than vaccinated.” Minaj responded. “Baby. That’s not true. I had exactly the same symptoms as ppl with that damn vaccine. This little nugget of death got nearly 23,000 likes and over 17,000 retweets.

Once again, Minaj is dead wrong. Vaccines to do Dramatically reduce the severity of COVID infections, even if you catch the disease after being vaccinated. This fundamental fact has been shouted from the rooftops for months now. Someone who speaks directly to 22 million people has a responsibility to know this sort of thing.

The government can’t do it, and there is an understandable reluctance to leave the responsibility for social media monitoring – Minaj claimed, seemingly baseless, that she was kicked out of her Twitter account – to tech companies.

But someone has to do it. The current model, “With great influence from social media, great irresponsibility comes great irresponsibility” is not sustainable.



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Address vaccine reluctance fueled by misinformation and propaganda https://templodoconhecimento.com/address-vaccine-reluctance-fueled-by-misinformation-and-propaganda/ https://templodoconhecimento.com/address-vaccine-reluctance-fueled-by-misinformation-and-propaganda/#respond Thu, 23 Sep 2021 03:15:50 +0000 https://templodoconhecimento.com/address-vaccine-reluctance-fueled-by-misinformation-and-propaganda/

The next major challenge in the fight against the COVID-19 pandemic appears to be reluctance to vaccinate. Several factors bordering mainly on disinformation, false prophecies and propaganda produced by conspiracy theorists have discouraged people from getting vaccinated. To articulate strategies to counter these false and negative narratives, the United Nations Children’s Fund recently held a workshop in Kano. Onyebuchi Ezigbo, who was at the dialogue, reports

Nigeria, like most parts of the world, has been ravaged by the COVID-19 pandemic. The virus brought with it panic and desolation among people, until scientists mobilized to produce vaccines to help eradicate the scourge. However, the arrival of COVID-19 vaccines has launched another challenge, that of the reluctance of part of the population. Today, as Nigeria grapples with the challenges of securing sufficient doses of COVID-19 vaccine for the eligible population, some people are busy denigrating and undermining credible health advisories aimed at ending the scourge. of disease.

Of major concern is the issue of apathy against the use of the COVID-19 vaccine. The fact that some people refuse to be vaccinated and at the same time do not follow the sanitary protocol against infectious diseases is a source of concern for all those who understand the imminent danger posed by such an act.

As a result, the World Health Organization (WHO) and UNICEF have warned that low immunization rates could put the country at serious risk from rampant variants of COVID-19 and could lead to otherwise preventable deaths.

Current immunization figures in Nigeria are estimated at around 4,024,704 people. This figure is a far cry from the projected target of around 70 million that will allow the country to obtain collective immunity to stem the devastating COVID-19.

What is more worrying is the fact that this reluctance towards the vaccine, as it is now called in medical jargon, is mainly fueled by ignorance and evil. Those not well informed about the deadly nature of COVID-19 and what they stand to gain from taking protective vaccines are being fooled by a few mischievous and conspiracy theorists.

Dialogue with the media

Speaking during a two-day media dialogue on the COVID-19 vaccination campaign organized by UNICEF, in collaboration with the Children’s Rights Office of the Federal Ministry of Information (CRiB) to put in place advocacy measures to be adopted by the government, UNICEF communications specialist Jeffrey Njoku said several misconceptions, conspiracy theories and innuendoes against the use of COVID-19 vaccines are unfounded.

For example, Njoku said that there have been no reports of serious side effects from the COVID-19 vaccine on those who have taken it in Nigeria. However, Njoku said it is incumbent on the authorities and the media to find more effective ways to debunk such flawed assumptions. Njoku urged the government to engage in aggressive media and community advocacy to allay fears and mistaken innuendos about COVID-19 vaccines to encourage popular participation.

“More awareness is needed to convince people of the effectiveness of vaccines as a way to eradicate the COVID-19 pandemic in Nigeria, thus encouraging them to take the vaccine,” he said.

Speaking on the topic “Calling for the creation of COVID-19 vaccines,” UNICEF Field Office Chief Kano Maulid Warfa said those who are reluctant to take the COVID-19 vaccine may have their reason to hesitate, even if these reasons are not factual. . He said the media and community leaders have a role in giving them the right information about the effectiveness of vaccines.

One of the measures to improve vaccine sponsorship, he said, is to debunk the misinformation lagging behind the current immunization exercise.

Method of debunking misinformation about the COVID-19 vaccine

A university professor and vice-chancellor of the Federal University of Kashere in Gombe State, Professor Umar Pate advised that the awareness campaign to support the vaccination program should not be medicalized by only allowing professionals of health to drive the campaign. Pate, who spoke to Kano during the workshop, said the message should also not be dominated by medical terminologies that will be complex and difficult for people to understand.

He said media professionals should be brought in to lead the campaign against vaccine advocates. Prof Pate explained that using the best communication tools and presenting messages in a simple, clear and concise way will appeal to people and lead them to understand and participate in immunization.

Pate also advised against letting the issue be highly politicized. “Some politicians will try to interfere and take advantage of the issue and start giving it their own interpretations.” He said, however, that active leadership involvement is needed at all levels to ensure the right messages are sent to people about vaccines and their benefits. “If you have good leadership at all levels of governance, then the follow-up will take the same form and probably correct information will be transmitted.”

Another aspect of the campaign, according to the professor, is community engagement. He said vaccine facilitators should try to identify and participate in community activities. “Through these community activities, we will be able to meet people of different sizes, those who are community leaders, opinion leaders, who can listen to you, believe in you and then be able to transmit the messages to the grassroots”.

Pate said community engagement remains the effective way to get people to accept vaccines. Additionally, Pate spoke about the importance of good media relations. He said journalists should see themselves as a leader and someone who is seen as someone with the knowledge and credibility to make people believe in the information they are disseminating. The Vice-Chancellor urged health sector authorities to synergize with the media and use the very useful communication skills at their disposal to dispel any misinformation and false narratives against the application of COVID-19 vaccines in the country.

Understanding the Myth Behind COVID-19 Vaccines

An expert in immunopharmacology, Dr Murtala Jibril, in his presentation at the media workshop, attempted to explain some of the myths surrounding the manufacture of COVID-19 vaccines. Jibril began by explaining the composition of the different types of vaccines. He said that a single vaccine provides 100% protection. According to him, the vaccine only strengthens an individual so that he is able to resist the attacks of infectious diseases.

He also explained the concept of herd immunity, saying it had to do with the idea of ​​having a substantial population of a given location vaccinated in order to eliminate the virus. But Jibril said herd immunity does not offer complete protection for those who are not vaccinated. “It does not offer substantial protection to unvaccinated people.”
While rejecting the false belief that the vaccine alters the DNA of individuals, Jibril said: “These vaccines cannot alter the DNA of an individual because DNA and RNA are not even in one compartment. similar. It’s like someone is opening your house and someone is in your living room. And someone’s in the kitchen and you say someone in the kitchen is going to infect someone in the living room.

“DNA and RNA are not in the same compartment, so the COVID vaccine cannot alter our DNA and it is only RNA that is given. And it’s the RNA that carries the genetic information or the pattern that it ultimately translated by our body to produce the spike protein and it’s the spike protein that will now stimulate the immune response and develop antibodies. that protect us from the virus.

“Another misconception is that people think that when you get the vaccine it can cause infertility in women. This is not true. There is no similarity between the spike protein and the syncytin protein. We do not have what is labeled Cross Immunogenicity. Getting vaccinated with the vaccine cannot produce the antibodies that will attack the syncytin protein. “

Jibril urged Nigerians to take advantage of the availability of vaccines in the country to get vaccinated in order to protect themselves, save more lives and reduce the risk of serious illness from the mutant virus. Jibril, who is also a vaccine development expert in the Department of Pharmacology and Therapeutics at Bayero University, Kano, has denied rumors that vaccines have a detrimental impact on female fertility, saying vaccines cannot transmit the COVID virus because they are not whole pathogenic vaccines.

The doctor explained that the earlier many Nigerians are vaccinated, the faster the country will be able to reduce the spread of the virus and, in turn, reduce the chances of mutating into several variants of the virus.

Amid concerns over a possible outbreak of the third wave of the COVID-19 pandemic, Jibril said having many eligible Nigerians vaccinated will allow us to gain herd immunity and escape the dangers of the mutant COVID-19 virus. . According to him, the vaccine effectiveness and the effectiveness of vaccines tend to decrease. Jibril said that with the Mordena vaccine now in the country, Nigeria has one of the best COVID-19 vaccines, adding that studies have shown that 3 million lives are saved globally each year thanks to the vaccines. .

In essence, UNICEF communications expert Jeffrey Njoku said the purpose of the media dialogue session is to spark some sort of media activism that will bring down the negatives against the use of the COVID-19 vaccine. by the population.

The message conveyed by UNICEF is that getting vaccinated will save the lives of many people and prevent the country from relapsing into another costly health emergency. Getting a substantial percentage of Nigerians vaccinated is also essential to achieve herd immunity and reduce severe illness from COVID-19 in people.


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Search for DB Cooper “historic sites” in Portland and Seattle https://templodoconhecimento.com/search-for-db-cooper-historic-sites-in-portland-and-seattle/ https://templodoconhecimento.com/search-for-db-cooper-historic-sites-in-portland-and-seattle/#respond Wed, 22 Sep 2021 16:03:20 +0000 https://templodoconhecimento.com/search-for-db-cooper-historic-sites-in-portland-and-seattle/

With the 50th anniversary of the infamous DB Cooper hijacking this Thanksgiving eve, the places where the crime took place – Portland and Seattle airports – still hold physical traces that awaken memories of what happened. on a dark and stormy Pacific Northwest night. decades ago.

For those who may not remember, “DB Cooper” is what the media called the unknown hijacker who boarded a Northwest Airlines 727 in Portland in the afternoon. of November 24, 1971. On his way to Seattle, the man, who had in fact given his name Dan Cooper, told a flight attendant that he had a bomb. They landed at Sea-Tac Airport, where Cooper received $ 200,000 in cash and four parachutes in return for the 35 passengers. The plane restarted and headed south. Somewhere above southwest Washington, Cooper jumped out of the jet’s back door and was never seen again.

There have been so many theories about who DB Cooper really was, and so many people claimed he was a relative or a friend. Fifty years later, interest in the unsolved mystery has waned somewhat over time, but Cooper’s search still continues; a researcher is even at work this fall, trying to find the money from the diversion along the Columbia River (where thousands of Cooper dollars were found in 1980).

But setting aside all the unproven theories and conjectures, Portland International Airport and Seattle-Tacoma International Airport are the only two places where the existence of DB Cooper – or whatever his real name – can be. be confirmed, and where the only concrete story could still remain.

Kama Simonds is a spokesperson for the Port of Portland. During a recent visit to Portland International Airport, Simonds shared with KIRO Radio a series of old maps and aerial photos of Portland Airport from 1971.

“It’s the terminal road that goes past here, and you can almost see that there was a bit of parking right outside,… obviously not something we’re doing now,” Simonds told KIRO Radio. “But then you walk into the building, and that was the ticket hall wall. So back then you could come and buy a ticket here.

And that’s exactly what DB Cooper did on November 24, 1971: he paid $ 20 in cash for a ticket to Seattle, then walked out the door without a security check. Since no vehicle associated with Cooper has ever been identified, no one knows how it got to Portland Airport 50 years ago – a cab? bus? walk? – but it’s safe to say he probably didn’t take advantage of this convenient parking lot.

“What we’re looking at here is a diagram of the airport as it looked in 1971,” Simonds continued, pointing to a diagram and explaining the layout of the PDX 50 years ago. “And if you look at it from the sky, it basically shows the two Y-shaped halls, on either side of the Y, and they go down to the main terminal, that’s in the middle.”

“You can see the Northwest Airlines flights were out of this L hall,” Simonds said.

Hall L was right next to the main terminal and on November 24, 1971, flight 305 boarded gate 52, which was only the second door to the main terminal hall.

For anyone more used to walking to Satellite North at Sea-Tac via escalators, a subway ride, and then other escalators, recreating Cooper’s walk from ticket office to door is a somewhat amazing experience. It was just a few hundred yards at most.

Due to construction in progress in 1971, passengers on Flight 305 descended to the lower level of the door and onto the tarmac, then boarded the 727 via the stairs integrated into the rear door of the jet.

Unfortunately for purists or lovers of historical preservation, the Concourse L has disappeared. In its place is Hall C, so the closest place to the “DB Cooper Gate” – if anyone wants to make a pilgrimage to Portland Airport – would probably be Gate C7.

There are no tourist maps or directional signage indicating this fact, of course. The hijacking is a crime, and Cooper has endangered the lives of nearly 40 people. But, five decades later, it’s no exaggeration to say that the hijacking is an important cultural moment in Northwestern history and, really, in American history.

Since Portland prides itself on being notoriously “weird,” is it strange enough to have a historic plaque at the airport for DB Cooper?

“There is no plaque,” ​​Simonds said. “There are a lot of aviation myths and traditions around this. … This is one of those cases that has not been resolved. And I think that’s what keeps the plot alive.

Yet, says Simonds, DB Cooper and what he did have nothing to commemorate at an airport.

“He’s still a criminal, he did something illegal,” Simonds said. “So I think we would be more likely to celebrate some of the amazing pioneers in aviation.”

The Portland chapter of the incident ended when the 727 took off around 3 p.m., and it was not until shortly after the hijacking began, with a note from Cooper handed to an officer of board and a series of communications describing its requests. and threats. The next stop, after the short flight from Portland, then nearly two hours of flight time in a holding pattern north of Seattle, was Sea-Tac Airport. The plane landed around 5:45 p.m.

At Sea-Tac, DB Cooper has of course never set foot at the airport. The 727 was parked far from the terminal – after all, he said he had a bomb in his briefcase – and Cooper stayed on the plane while he waited for the cash and parachutes before releasing the passengers, then waited a little longer until the jet was refueled.

Like Portland Airport, Sea-Tac has undergone several major construction phases over the past 50 years, so it’s a bit difficult to find where the 727 was parked the day before Thanksgiving 1971.

Fortunately, an iconic photo of the plane during the Sea-Tac hijacking phase was taken by Bruce McKim for the Seattle Times. The photo was probably taken zooming in from a location on the old Sea-Tac outdoor observation deck, which no longer exists. In the image, the 727 is visible, parked on a concrete surface, with a portable staircase to the front left side door. A few vehicles can be seen nearby, and behind it a fence and a distinctive building can be seen up close.

Port of Seattle aviation spokesperson Perry Cooper – no connection to DB, he jokes – enlisted the help of a long-time Port of Seattle staff member to clarify the location of 727 and identify the building visible on the old Bruce McKim photo.

The building is the Prince of Peace Lutheran Church, which still sits west of the airport, but is now completely obscured by trees. Additionally, the zoom probably helps the church in the photo be much closer to the parked jet than it actually is in real life.

On a ride with Perry Cooper around the tarmac at Seattle-Tacoma International Airport, he got as close as he could safely and legally to the “DB Cooper parking spot” – at the south end of what is now the central track.

“What we understand is that they would have landed on what is now our central runway and that would have boiled down to the connection between a taxiway at the very end and the tail, the south end of that runway. “Perry Cooper told KIRO. Radio. “So at the time, it was 34-Left or 16-Right. And right now, it’s now the central track, since we’ve added the new track to the west.

The Sea-Tac phase of the hijacking ended when the 727 restarted at about 7.40 p.m. and was heading south. On board were DB Cooper, the flight crew, and a flight attendant, but Cooper wouldn’t be a passenger for long. When the jet landed in Reno, it was gone.

There are at least two other spots at Sea-Tac related to the hijacking, if they are not directly connected to DB Cooper. One is the Northwest Airlines lounge where passengers and two of the flight attendants were taken by bus once they were released from the jet. This lounge was in Hall B and is now long gone.

The other place is gate A-4. This is where Flight 305 was supposed to have disembarked its passengers if there had been no hijacking. Perry Cooper says there is no plaque there; but, he says, door commemorations are not out of the question, they are simply limited to non-criminal activities.

“We have the Insomnia in Seattle door, ”Cooper said. “It’s N-7. We actually had a celebration when it closed during construction for the modernization of North Satellite, and we actually contacted the film company and they allowed us to use a photo of Meg Ryan and Tom Hanks.

As for the celebrations related to the 50th anniversary of the 1971 hijacking, it is clear that the Port of Seattle has no intention of reaching out to producers of The pursuit of DB Cooper for images of Treat Williams or Robert Duvall.

Editor’s Note: An alternate version of this story first appeared in COLOMBIA, the quarterly magazine of the Washington State Historical Society, of which Feliks Banel is editor.

You can hear Feliks every Wednesday and Friday morning on Seattle’s Morning News, find out more about him here, and subscribe to The Resident Historian podcast here. If you have a story idea, please email Feliks here.


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Guest column: Telling the truth, one person at a time | Opinion https://templodoconhecimento.com/guest-column-telling-the-truth-one-person-at-a-time-opinion/ https://templodoconhecimento.com/guest-column-telling-the-truth-one-person-at-a-time-opinion/#respond Tue, 21 Sep 2021 20:15:00 +0000 https://templodoconhecimento.com/guest-column-telling-the-truth-one-person-at-a-time-opinion/

The frustration was evident in my doctor’s voice. “Why don’t people listen and why don’t they protect themselves and their families from the virus? This doctor is not alone. His frustration is shared by countless others whose careers have been dedicated to patient care. These people care deeply and are frustrated that emergency rooms are unnecessarily filled with people, including more and more young people, who have refused or neglected to be vaccinated.

Many of these people are neighbors, co-workers or friends, and when asked, they say they cannot be told what to do; that their freedom is at stake. When asked if they have seen a trusted doctor or other experts, they often answer yes, but make their personal choice to say no to masks and vaccines.

Some say, contrary to overwhelming evidence, that vaccines kill more people than the virus, while others say they are healthy and safe, so it is not necessary. Others have even more sinister theories, like vaccine makers trying to kill people, or that there is a “deep state” out there that cannot be trusted. They say it even though they know that our doctors, hospitals, schools and employers desperately want them to protect themselves and their loved ones. They don’t believe vaccines help. And they die.

This is where we are. We live in a time of increasing disconnection between beliefs and objective truth. Their conviction is that the government should not limit individual freedom. This was, for a time, the same argument some have made against mandatory seat belt laws. Yes, these laws limit freedoms, but they prevent death and injury.

Unfortunately, this mismatch between beliefs and objective truth is not limited to public health. Some believe voter fraud is on the rise.

The data shows that this is simply not true. Election administrators like our own Margetta Hill have one goal: to accurately register voters and correctly count the votes. Party leaders such as Don Truman, Mary Ann Wyatt, Pat Kelly and Pat Tally believed that the more people exercised the right to vote, the better it would be for all of us. There was no conspiracy theory to justify making it harder for voters to vote. And Austin politicians actually admitted that the goal was to have fewer eligible voters.

The reality is that a large portion of the public still believe the former president won the election, despite the objective truth, which is that he lost by over 7 million votes. Minority Leader Mitch McConnell, former Vice President Mike Pence and former President George W. Bush have all tried to dispel this myth that exists in their party, but it persists even as it erodes our mutual trust.

Another belief is that more guns make us safer. We can debate how best to curb violence, but an objective fact is that we have more weapons now than at any time in our history. Yet it is objectively not true that more guns have reduced gun violence. As we have made it easier and easier to buy and transport weapons, our country has almost doubled its homicide rate, and there is also an increase in accidental shootings.

My doctor wanted to know what could be done to curb the disconnected beliefs from reality. He’s doing his best, one patient at a time. I asked what percentage of his patients were vaccinated and he was over 80%, much more than the 40% of the vaccinated public in our region. It shows that one at a time people can make choices to protect themselves when empowered by the truth. Some of his patients were unaware that they can still pass the virus on after having it, and may even have the virus twice. Some did not know that immunity from vaccines lasts longer than immunity after suffering the virus.

It’s easy to get frustrated when good, honest people say and do things that are out of touch with reality, especially when those actions result in preventable deaths. The doctor, I think, knew the answer to his question about why so many people are not vaccinated.

They have yet to receive the truth from people they trust. We help people connect with reality one person at a time, knowing that some will persevere in the challenge. St. Joseph High School held a vaccine briefing and distributed vaccines, persuading one person at a time. For those who choose to seek the truth and listen to those with expertise, lives are saved, families preserved and communities served. Conspiracies come and go, but the truth will endure as long as we continue to pursue it.

John Griffin, an attorney from Victoria, is a longtime diabetes volunteer and past chairman of the board of the American Diabetes Association.


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Teaching About Slavery – Next Education https://templodoconhecimento.com/teaching-about-slavery-next-education/ https://templodoconhecimento.com/teaching-about-slavery-next-education/#respond Tue, 21 Sep 2021 08:05:37 +0000 https://templodoconhecimento.com/teaching-about-slavery-next-education/

By Robert Maranto, University of Arkansas

We cannot withdraw policy from public schools, because decisions about what to teach and what to leave aside are inherently political. Social studies programs seem the most political of all, because they lack the precision of mathematics and combine history and heritage.

Although often married, the history and heritage differ. Like all tribes, the people of the United States have a common heritage, legends inspire us to perpetuate our nation. In contrast, the realm of history is a Western invention seeking to portray what happened, the warts and everything. Heritage is Mason Weems’ myth that young George Washington confessed to cutting down the cherry tree because he couldn’t lie. Arguably the story with a bit of a legacy is Washington’s evolving discomfort and eventual rejection of slavery.

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Rental

These definitions are important because the United States is a multicultural democracy where heritage influences the stories schools teach. As Jonathan Zimmerman observes in his classic America from whom? Cultural wars in public schools, in the 1920s, Italians and Norwegians argued over whether Christopher Columbus or Leif Eriksson discovered America. The Germans polished their American credentials by inserting the historically unimportant but identifiable German Molly Pitcher into textbooks; African Americans added Crispus Attucks. Marginalized groups have thus intermarried with the American heritage taught in schools.

In contrast, early 20th-century southern white activists who promulgated lost cause myths undermined both history and American heritage, creating a new southern legacy through whitening Southern textbooks. the Confederate cause. As Zimmerman details, the United Daughters of the Confederacy held student essay contests to defend slavery. One laureate described slavery as “the happiest period in the existence of negroes”. Zimmerman writes that “Confederate groups have often questioned the entire concept of objectivity in history” by insisting that their lived experience offered unique perspectives that northern scholars with their so-called objective historical methods did not. could never find out.

It should all sound familiar today. After suffering their own Appomattox with the fall of the Berlin Wall, Marxists have become the New Confederates, supplanting scholarship with lived experiences, stories and now tweets. As detailed by Helen Pluckrose and James Lindsay in Cynical theories: how the activist scholarship did it all about race, gender and identity – and why it hurts everyone, over the past decades, academics (and now journalists) have replaced class politics with politics of identity, falling back on the postmodern rejection of universal truths. Consequently, it would be a mistake in the teaching of slavery to rely too much on biased sources such as the New York Times‘s 1619 Project.

Some say American schools ignore slavery. This statement was probably correct – in 1970. My children, one a high school student and the other a recent graduate, agreed that our Arkansas public schools covered slavery and Jim Crow between six and eight times in 12 years. – much more than they covered the founding of the United States, the Constitution or the Second World War; indeed, the latter only appeared once or twice, counting a Holocaust unit. My children also observed, however, that their schools’ treatment of slavery, like their coverage of history in general, was superficial. As one of my children put it, “They teach you that slavery is bad, but not much else. (This may characterize Arkansas standards in general. A recent Fordham Institute report classified them as “mediocre”, observing that “strangely” the subject of secession is not addressed in the historical standard of the state of Arkansas and that “the lack of direct references to slavery” in that standard was “notable.”) that our local teachers covered slavery, it was mostly through political history, as a key cause of the Missouri Compromise, the Compromise of 1850, and the Civil War, suggesting that state standards may have little to do with what goes on in the classroom. At the same time, Jim Crow is taught primarily through a local issue, the integration of Little Rock Central. In all fairness, as the Fordham Institute report makes clear, coverage of slavery and history generally lacks depth in most states, not just the South.

So what to do? You can’t beat something for nothing, so at the elementary level, schools could adopt the relatively specific basic knowledge programs, developed by ED Hirsch, in which knowledge builds on knowledge. To a much greater extent than is the case with typical curriculum approaches of education consultants, Core Knowledge focuses less on amorphous ‘skills’ and more on facts, which forms the basis for more knowledge and development. ‘interpretations. As Hirsch writes in The schools we need and why we don’t Them, psychological research shows that “the ability to learn something new depends on the ability to adapt the new thing to what is already known”. The more we already know, the easier it is to learn new information; therefore, better curricula can help. The quality of teachers is also important. At the high school level, where I do field research, educators joke that all social science teachers have the same first name – “Coach” – suggesting the need to hire. well informed teachers, not those for whom teaching is a secondary priority and whose primary expertise is athletics. Meanwhile, when educators teach the property of human beings, as they in fact should, they should teach in the context that slavery was not uniquely American but existed in countries of all great religious traditions and on all inhabited continents. (Basic knowledge does this.) When teachers discuss slavery, they should include discussions about which countries ended slavery, when, and why, perhaps using visual aids such as cards to help convey information.

Educators could also argue more broadly that almost all countries once had (and some still do) slavery, but only America can claim the Declaration of Independence, the Constitution, the rebuilding of Europe and the Japan after WWII, and an indispensable role in overcoming the twin evils of fascism and communism. These are the only ones American contributions that should define our nation for today’s schoolchildren and tomorrow’s citizens.


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God of War Ragnarok predictions: story and character theories https://templodoconhecimento.com/god-of-war-ragnarok-predictions-story-and-character-theories/ https://templodoconhecimento.com/god-of-war-ragnarok-predictions-story-and-character-theories/#respond Sun, 19 Sep 2021 11:00:02 +0000 https://templodoconhecimento.com/god-of-war-ragnarok-predictions-story-and-character-theories/

Source: PlayStation

God of War Ragnarok, the next big game from Sony Santa Monica, aims to bring the Nordic saga to a close. While the previous game put a lot of leads in place, there’s still a lot to do and plenty of iconic characters that we haven’t even seen yet. If you’re not familiar with the events leading up to Ragnarok, we’ve got the full God of War timeline and storyline, which will give you the full story so far.

God of War 2018 is one of my favorite games of the last few years and if what we’ve seen of God of War Ragnarok so far is indicated, this sequel will be one of the best PS5 games available.

As a huge fan of God of War and Norse Mythology, I decided to analyze the first full God of War Ragnarok trailer and make some predictions based on what we’ve seen. After all, the game director has confirmed that Ragnarok will appear as an actual event, but that doesn’t mean it will be a straightforward story. There are so many possibilities, so let’s dive into it.

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Kratos and Atreus got closer, but it won’t last

Ragnarok War God CaveSource: PlayStation

The low-key opening of the God of War Ragnarok trailer is surprisingly revealing. It’s a direct commentary on how Kratos and Atreus have grown so far. Atreus is older now and where he once struggled to hunt and was reluctant even to kill, he now brings back deer on his own. Meanwhile, Kratos is busy carving new arrows for his son. It’s a surprisingly touching scene and says a lot about how far we’ve come since the previous game.

Unfortunately, this is not going to last.

More tension is clearly brewing between the two, with Kratos looking weary and reluctant to fight Asgard, having experienced the pain of going down this path in the past. Atreus is very opposed, seeking to understand his heritage as Loki and wishing his father to start “thinking like a general”.

Norse mythology, and in particular Ragnarok, is specifically concerned with the idea that one meets one’s destiny through the actions that one takes to avoid it. So, trying to avoid pain and war, it could fall on father and son anyway. I won’t be surprised if this is where Sony Santa Monica chooses to hand over the reins to a new lead for the franchise, from father to son. Somehow, Atreus retreads in his father’s footsteps and can learn the same painful lessons in more or less the same way.

Most of what we’ve seen is extremely early in the game

I saw some people concerned that the story trailer was showing too much, especially with the reveal that Tyr is actually alive. While I understand the concern, given that we live in an over-saturated age of showing more and more stuff as any major media event approaches, there is no reason to worry. here, at least not yet. Everything shown in this trailer is likely happening early on, given that Kratos and Atreus’ arguments clearly unfold in the woods where they live.

Thor and Freya’s attacks likely prompt them to flee, where we in turn see Kratos and Atreus crossing the now frozen Lake of Nine and the accompanying bridge. This trailer is the setup hardware to get things going, without spoiling some major twists, of which I’m sure there will be a lot.

While the closing of the Nordic Saga in this game is certainly packed (more thoughts on that below), no one has to worry about what has been shown yet.

Thor and Freya will be the biggest threat so far

Sony Santa Monica is pretty clear that Thor and Freya are, at least initially, the main antagonists against Kratos and Atreus here. The two seek revenge for their sons’ deaths, with Freya somehow overcoming her inability to harm others, a curse Odin may have removed now that the goddess is transformed into anger.

The two are treated differently from all enemies in the God of War franchise so far. Freya’s opposition is treated with a somber tone, as it is clear that she is heartbroken and Kratos does not. want to to fight it. Meanwhile, Thor barely appears in the 2018 game, but much of the stories and legends found on the murals or recited by Mimir are dedicated to showing just how dangerous he is.

Through the heartache and the fear, there is just a reverence here that we have never seen before and it is extremely exciting. There are a few possibilities as to how this will play out, but it won’t just be a basic revenge plot. Together, Thor and Freya make a formidable duo – a duo that Kratos might not be able to overcome.

Ragnarok will arrive, but not exactly

With the 2018 game finale, we clearly saw that Sony Santa Monica understands and respects Norse myths, but is perfectly open to reinterpreting them to tell a different story. Baldur still dies as a result of Loki’s use of mistletoe, but it plays out very differently from most other versions of the tale. Ragnarok will be just as different.

Jotun Angrboda, Loki’s wife in the myth, is featured in God of War Ragnarok as a girl apparently around Atreus’ age. While there is almost certainly a similar relationship blossoming in the future, it will clearly take time and play out in a different way. The world serpent Jormungandr and the great wolf Fenris are both sons of Loki and both play a key role in the myth of Ragnarok, but the former has (apparently) no connection with this Loki and Fenrir did not still presented.

There’s also the simple fact that the Sony Santa Monica team are smart and know they can’t start God of War III all over again. Make no mistake, there are going to be a lot of big fatalities, but it won’t be a simple “kill em ‘all” retread.

The Nordic saga ends, in a way

God of War Ragnarok TyrSource: PlayStation

Eric Williams, creative director of God of War Ragnarok, made it clear that this is the last game in the “Nordic saga”. Yet there is more to this answer than at first glance. In the 2018 game, Kratos and Atreus learn that Tyr has traveled between realms, loved by all people with relics from many cultures. As Tyr’s rescue plays out in the God of War Ragnarok storyline, it doesn’t seem impossible that from now on, the story might drop the idea of ​​sagas associated with a particular mythology, perhaps even visiting many realms in a game.

If so, while the main story here should be over, there might be some secrets or intrigues left hanging in the Nordic lands, to be visited at a later date.

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Nicki Minaj reveals how she was invited to the White House https://templodoconhecimento.com/nicki-minaj-reveals-how-she-was-invited-to-the-white-house/ https://templodoconhecimento.com/nicki-minaj-reveals-how-she-was-invited-to-the-white-house/#respond Sun, 19 Sep 2021 10:28:55 +0000 https://templodoconhecimento.com/nicki-minaj-reveals-how-she-was-invited-to-the-white-house/

In a week where politics oddly interfered with the 38-year-old rapper, Nicki has now claimed she was invited to the White House to ‘ask questions’. After revealing that she refused to be vaccinated for the Met Gala, Nicki became a star of the reaction.

She shocked fans even more by peddling vaccine conspiracy theories, later sharing a bizarre story about her “cousin friend” allegedly having a reaction to the vaccine. The next day, England CMO Chris Whitty blasted the anti-vaccines that “should be ashamed of” in a powerful response to his unproven “myth” about the jab.

FILE – Nicki Minaj presents the award for favorite duo or group – pop / rock at the American Music Awards at the Microsoft Theater in Los Angeles, this Sunday, November 22, 2015, file photo. Rapper Nicki Minaj’s father, 64, has died after being struck by a hit-and-run driver in New York City, police said. At 6:15 p.m. on Friday, Robert Maraj was walking along a road in Mineola on Long Island when he was struck by a moving car, Nassau County police said. Maraj was taken to hospital, where he was pronounced dead on Saturday, February 13, 2021. (Photo by Matt Sayles / Invision / AP, FIle)

Prime Minister Boris Johnson continued to dig deeper into the hitmaker, saying he “was not aware of the work on Nicki Minaj”. She later took to Twitter to accuse the Prime Minister and Marketing Director of “denigrating” her and found herself embroiled in a social media slang match with Piers Morgan.

Tonight she claimed she was invited to Washing DC to ask questions and said she would be “dressed in all pink like Legally Blonde so they know I’m serious.”

She tweeted: “The White House invited me and I think it’s a step in the right direction. Yes, I’m going. I’ll be dressed all in pink like Legally Blonde so they know I’m serious. I will ask questions on behalf of the people who are laughed at just because they are human. #BallGate day 3. ”

It comes after Nicki baffled her fans by tweeting on Monday: “My cousin in Trinidad won’t get the vaccine because his friend got it and has become helpless. His testicles became swollen. Her friend was a few weeks away from getting married, now the girl has called off the wedding. So just pray over it and make sure you’re comfortable with your decision, not intimidated.

The PM then waded into the row at Tuesday’s press conference, saying: “I don’t know Nicki Minaj’s work as well as I probably should be, but I do know Nikki Kanani, the GP superstar of Bexley, who has appeared before you several times, who will tell you that vaccines are wonderful and that everyone should get them. “

“So I prefer to listen to Nikki Kanani. Nicki oddly responded to Johnson’s comments and tweeted, “He’s a great guy, even though he was a diss. Ah, the accent! Yassss !!! ”

She then shared an odd vocal note as she mimicked a British accent, saying, ‘Yes, hello Prime Minister Boris! It’s Nicki Minaj! I was calling you just to tell you that I thought you were so amazing on the news this morning and that I am actually British!

“I was born there, I went to college there, I went to Oxford. Margaret Thatcher was my teacher and I heard so many wonderful things about her! Because you don’t know much about my work, I would like to send you a portfolio of mine. I am a big, big star in the United States!


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